Friday, September 18, 2009

Homage to Polaroid


Wendy Ewald


Ralph Gibson


Gail Bryan


Manuel Alvarez Bravo



Walker Evans


Links:
- Recent article in The Observer- View and share on Polanoid.net
- Nobuyoshi Araki Polart 6000

Wednesday, September 2, 2009

Selections from Northern Europe

Joakim Eskildsen

Joakim Eskildsen


Milja Laurila


Preben Holst


Susanna Majuri

Susanna Majuri


Anna Linderstam


Anni Leppala



also see the Helsinki School

Tuesday, September 1, 2009

Young Ones

Masahisa Fukase

Augustus F. Sherman

Dorothea Lange

William Eggleston

Mark Cohen

Joel Sternfeld

Pablo Ortiz Monasterio

Ingar Krauss

Sunday, August 30, 2009

Bicycles!


Dorothea Lange

Graciela Iturbide


Daido Moriyama

Seydou Keita

Evelyn Hofer

Evelyn Hofer

Seydou Keita and Malick Sidibe

Studio portrait photographers Seydou Keita(b. 1921) and Malick Sidibe (b. 1935) each captured people of Bamako, Mali from the 1950s through the 1970s.

Seydou Keita

Seydou Keita

Seydou Keita

Malick Sidibe


Malick Sidibe

Malick Sidibe


Recomended publications:
-Seydou Keita, Scalo, 1997
-Malick Sidibe: Photographs, Steidl/Hasselblad Center, 2004



Wednesday, July 29, 2009

Ed van der Elsken: My Amsterdam

Ed van der Elsken (1925 - 1990) was a Dutch photographer, born in Amsterdam, Netherlands.








He travelled all over the world and published many books of his photographs:
Een liefdesgeschiedenis in Saint Germain des Prés 1956
Bagara (1958)
Jazz (1959)
Sweet Life (1966)
Eye Love you (1977)
Hallo! (1978)
Amsterdam! Oude foto's 1947-1970 (1979)
Avonturen op het land (1980)
Parijs! Foto's 1950-1954 (1981)
De ontdekking van Japan (1988)
L’amour!
Hong Kong (1997)
Once upon a time (1991)

Links:

Wednesday, July 8, 2009

Memphis


Hernando de Soto Bridge, Memphis
photographer unknown



William Eggleston


William Eggleston


Alec Soth


Alec Soth


Christian Patterson

Thursday, June 4, 2009

Published for the First Time: Color Photographs by Chris Killip



Chris Killip is widely known for his gritty and alluring black and white photographs, especially those published in In Flagrante (1988).



If you've ever wondered what his color work would look like, you'll be happy to peruse Thames and Hudson's Here Comes Everybody: Chris Killip's Irish Photographs.


Less raw and less gritty, these color images are quiet and contemplative, providing more of a sense of calm in contrast to the angst of the Seacoal pictures.
The hills, the roads and the sea are perfectly bare in all of their color, yet the landscape somehow maintains a mystery. You want to go into these places and explore.
Printed small (only about 4 x 6 inches) the viewer is immediately drawn in and left wanting more.